Susan Sarandon è la nuova testimonial di Marc Jacobs

Sensualmente consapevole e super fascinosa: così appare l'attrice nella nuova campagna stampa della griffe, scattata da David Sims​

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Una sensualità matura e inaspettata, consapevole del proprio fascino: questa è la Susan Sarandon protagonista della prossima campagna di Marc Jacobs. L'attrice, immortalata dall'obiettivo di David Sims, è tra i testimonial della campagna autunno inverno 2016-2017 della griffe: insieme a lei, Marc Jacobs ha scelto Kendall Jenner, Courtney Love, Marilyn Manson e altri volti al centro della scena musicale e artistica internazionale. 

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SUSAN, Seduction Like so many teenagers, I spent countless Friday and Saturday nights at midnight screenings of The Rocky Horror Picture Show at the 8th Street Playhouse (which is still standing!) and the Festival Theatre on 57th Street (which has long since closed). TRHPS was a coming of age and right of passage. It became an invitation (or excuse) to dress up and express oneself fearlessly. The cult classic made it cool for boys to wear sequins, satin and fishnets. I fell in love with Susan Sarandon’s onscreen portrayal of Janet during her “loss of innocence” scene by way of a crossdressing alien and her giddy, ecstatic rendition of, “touch-a, touch-a, touch me…” There was a subtle rebellious quality that I found in Susan with how she chose to play Janet and perhaps (as I now look back on it) her decision as a young actor to take a role in a film that challenged the notion of gender roles. In the hyper-stylized, gothic film, The Hunger, Susan’s portrayal as the lesbian love interest of vampire Catherine Deneuve was yet another progressive challenging of normal and a testament to Susan’s artistic exploration of boundaries. It was in my early days at Perry Ellis when I first had the privilege of meeting Susan. Her intelligence, courage, strength, conviction and ballsiness has always been so admirable to me. There’s an inherent seductive quality in Susan as a woman who always speaks her mind and an artist who takes risks. Her talent as an actress is one of extraordinary range, talent and power. The stunning Susan Sarandon by David Sims for our Fall ’16 ad campaign.

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Lo stilista, che sta diffondendo gli scatti dell'adv in anteprima su Instagram, ha così motivato la scelta della Sarandon: «Ho sempre ammirato la sua intelligenza, il suo coraggio e il suo essere una donna con le palle. Il suo lato seduttivo è strettamente legato alla libertà della sua mente, al fatto che è un'artista capace di prendere dei rischi. Ha un talento straordinario». 

Gli scatti hanno uno stile vicino all'estetica underground, con riferimenti al mondo del teatro e dello spettacolo: ecco alcuni dei protagonisti della campagna.

Courtney Love

COURTNEY, R(evolution) With my abundance of respect for Courtney Love’s musical contributions to grunge/rock culture and her status as this sort of, Grunge Goddess, it was her mesmerizing and extraordinarily moving portrayal of Althea in the film, The People vs Larry Flynt that simultaneously broke my heart and won my love. While I hadn’t yet met Courtney during my time as Creative Director at Perry Ellis, it was her then style that had a great influence on that now infamous “grunge collection” show in 1992. Courtney and I (and a then 2 or 3 year old Frances Bean) first met at dinner with Anna Sui in 1994 at Bar Six in NYC. I remember being quite taken by her deep, thorough knowledge of and voracious appetite for fashion and music. There has always been a genuine allure about Courtney that I continue to admire. The way she’d scream her lyrics from that gash of a red mouth to the hard rocking, wailing sounds of Hole. She was then and remains now, for me, the ultimate divine mess in a dress. Gone but no where near forgotten is the girl-woman Goddess of Grunge in her too small tattered dresses, the little girl barrette in her messy, scattered hair and beaten up brocade 1960’s evening shoes. It’s a long distance from the now iconic kinder-whore Courtney photographed by Juergen Teller for I-D magazine in 1994 to the movie star glamour of the powerfully aloof and infinitely present Courtney, photographed here by David Sims for our Fall ’16 campaign.

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Cara Delevingne

Marilyn Manson

MANSON, Brains and Beauty Ironically, I met Marilyn Manson on Halloween in Los Angeles shortly after the release of his album, Antichrist Superstar in 1996. It was after meeting him that I started listening to his music- in large part because I was intrigued by his persona and curious about his perverse and incredible intellect. The Beautiful People and its accompanying music video with all its gorgeous grotesqueries is what sweet dreams are NOT made of… The incredibly powerful and frenetic pace of the video with the attenuated and elongated Manson pulled, disfigured and contorted by means of surgical devices, dental apparatuses and other contraptions is absolutely nightmare inducing and an outrageously captivating attraction of repulsion. For our Fall 2011 fashion show, there was no better song to send the girls marching down our boudoir comme insane-asylum runway than, The Beautiful People. It was the perfectly twisted companion for that collection which played at a volume that nearly shook the walls down. In direct contrast to the outward hideous beauty of Manson’s stage persona is his instinctive, inherent intelligence and understanding of what matters. These days more so than ever I am reminded of Manson’s interview in the documentary film, Bowling for Columbine and his response to a question asking what he would say to the kids and Columbine community in the wake of the tragedy that took place in 1999. His response was, “I wouldn’t say a single word to them. I would listen to what they have to say, and that’s what no one did.” Sometimes knowing when to listen is more important than being heard, and in one sentence Manson left a stronger impression on me than his music ever had previously. Marilyn Manson photographed by David Sims for our Fall 2016 ad campaign.

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Kembra Pfahler

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